Semi-comic series western about two brothers what is good-guys. From the series "Los Hermanos Barragan."

Antonio, an Italian immigrant in New York finds himself drawn into the Mob when his options are limited and his desire to make a new life for himself becomes increasingly difficult.

Three old schoolmates, who in their time as students had formed a kind of secret society called The Black Hand, in order to embitter teachers' lives, meet again years later with very different lives. One is a dad's son who is distracted as best he can; another has become a writer of espionage novels and is persecuted by the CIA, and the third leads an indolent life without further ado. The reunion of the three friends will make the society of La Mano Negra revive.

Anthony LaPaglia explores an Australian Italian community's struggle against hard times, extreme politics, looming war and the mafia in their midst.

1954. The restless dreamer Mishka has almost realized his dream of starring in a spy movie. A new adventure awaits him: he and his mother have a long journey across the country to reunite with the boy's father, a pilot. On the train, Mishka discovers a real spy and decides to prevent him from committing an insidious villainy by all means.

The fictional land "Pandora" sends three (numbered) graduates of the "National Gambling University" to Japan. You should defeat the master player Kôji, control the international casino empire and use the profits to achieve world domination. But Japan's most famous left hand knows what to do.

Leonard Jackson plays a barber who is also the domineering head of a middle-class African American family. Jackson is forced to rethink his values when his previously docile wife (Clarice Taylor) joins their three children in rebelling against her husband's retrogressive behavior.

A tourist travelling through Morocco discovers an ancient curse and must choose between light and dark.

Guyanese painter Aubrey Williams (1926-1990) returns to his homeland on a “journey to the source of his inspiration” in this vivid Arts Council documentary, filmed towards the end of his life. The title comes from the indigenous Arawak word ‘timehri’ - the mark of the hand of man - which Williams equates to art itself. Timehri was also then the name of the international airport at Georgetown, Guyana's capital, where Williams stops off to restore an earlier mural. The film offers a rare insight into life beyond Georgetown, what Williams calls “the real Guyana.” Before moving to England in 1952 he had been sent to work on a sugar plantation in the jungle; this is his first chance to revisit the region and the Warao Indians - formative influences on his work - in four decades. Challenging the ill-treatment of indigenous Guyanese, Williams explored the potential of art to change attitudes. By venturing beyond his British studio, this film puts his work into vibrant context.

Sometimes even the police find abiding by the law a difficult task! These sex craved constables will do anything to get a leg over poor unsuspecting members of the public.